BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Art, Culture, and Technology (ACT) - ECPv5.16.4//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Art, Culture, and Technology (ACT)
X-ORIGINAL-URL:http://act.mit.edu
X-WR-CALDESC:Events for Art, Culture, and Technology (ACT)
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20170312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20171105T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170213T180000
DTEND;TZID=America/New_York:20170213T200000
DTSTAMP:20260316T084338
CREATED:20170213T185559Z
LAST-MODIFIED:20210413T180103Z
UID:2704-1487008800-1487016000@act.mit.edu
SUMMARY:Jill Magid | Permission as Material
DESCRIPTION:Magid will be discussing recent projects\, her engagements with the law\, and permission as a material of the work with responses from international curator and art historian Lars Bang Larsen and SA+P Dean Hashim Sarkis. \nBio\nJill Magid is a widely celebrated MIT alumna now based in New York City. Her dynamic practice is deeply interrogative\, forging intimate relationships within bureaucratic structures—flirting with\, seducing\, and subverting authority. Her projects probe seemingly impenetrable systems\, such as the New York City Police Department\, the Dutch Secret Service\, surveillance systems\, and\, most recently\, the restricted archive of Mexican architect Luis Barragán. By infiltrating and unsettling powerful institutions\, she locates unexpected and rich communities within the structures of bureaucracy. \nMagid has exhibited at the San Francisco Art Institute; Kunst Halle Sankt Gallen\, Switzerland; Berkeley Museum of Art\, California; Tate Modern\, London; Whitney Museum of American Art\, New York; Stedelijk Museum Bureau Amsterdam; Gagosian Gallery\, New York; and the Security and Intelligence Agency of the Netherlands. She has participated in Manifesta and Performa\, and in the Liverpool\, Bucharest\, Singapore\, and Gothenburg Biennials\, as well as the Oslo Architecture Triennial. She has also performed at the Museum of Modern Art\, New York; New Museum\, New York;  and the South London Gallery. \nHer four books include: Failed States (2012)\, Becoming Tarden (2010)\, Lincoln Ocean Victor Eddy (2007)\, and Once Cycle of Memory in the City of L (2004). Sternberg Press recently published The Proposal on her work of the same name. Her practice is also featured in Public Space? Lost and Found (forthcoming 2017\, produced by ACT and distributed by MIT Press).
URL:http://act.mit.edu/event/jill-magid-permission-as-material/
CATEGORIES:Events & Exhibitions,Lecture Series
ATTACH;FMTTYPE=image/jpeg:http://act.mit.edu/wp-content/uploads/2021/04/Jill-Magid_Rhinestoning-Headquarters_System-AzurePublic-performance-and-permanent-installation.-Rhinestone-encrusted-surveillance-cameras-posters.-Police-Headquarters-Amsterdam.-2002-440x296-1.jpg
END:VEVENT
END:VCALENDAR