Nomeda + Gediminas Urbonas @ Bunkier Sztuki Krakow

Nomeda and Gediminas Urbonas. Mycomorphlab. 2015.

Nomeda & Gediminas Urbonas’ Psychotropic House: Zooetics Pavilion of Ballardian Technologies is featured inA Million Lines” at Bunkier Sztuki in Krakow, Poland, as part of the XII Baltic Triennial.

The exhibition is on view now– Jan 31.

Psychotropic House: Zooetics Pavilion of Ballardian Technologies, 2015

Psychotropic House is one of a series of experiments that aim to articulate notions of Zooetics.

Zooetics explores new ways to engage human knowledge – scientific methods and the infrastructure of institutions – and research with other forms of life – from mammals to microbes to mollusks – and to imagine designs, prototypes and interfaces for future interspecies ecologies.

First shown as a functioning laboratory at the Contemporary Art Centre in Vilnius (2015), Psychotropic House constructs reality through ideas inspired by the living technology described in the collection of stories Vermilion Sands (1971) by the English science fiction writer J.G. Ballard.

Psychotropic House tests an idea that objects, buildings and forms, rather than only be produced, can also be grown. This experiment aims to push the common understanding about materiality towards a rhizomatic concept while using mycelium. Mycelium is a life form of extra-terrestrial origin; it is parasitizing and colonializing. It can cannibalize other cultures or materials, create hybrids, make new nets and constellations, that have been claimed as the ‘plastic of the future’.

Part of the Zooetics research* involves finding a common language across disciplines in the sciences and arts. Another part engages the frontier site of disconnection between human knowledge and the knowledge of other life, by using fiction (literary and visual) as a method to engage with the unknown, unknowable and apparently insoluble.

The artifacts on view are produced in attempt to find a formula of the production of mycomorphs, mycelium-based forms that would best serve yet undefined utilitarian and decorative purposes. In the current display they are joined into a system of speakers for the sounds produced by various life forms – maggots, crickets, stick-insects, seals and pelicans – reflecting the controlled life and sacrifice in a zoo.

* The Zooetics research, conceived by Nomeda and Gediminas Urbonas in dialogue with Tracey Warr and Viktorija Šiaulytė, aims to address the crisis in human relationships with the environment by unpacking notions of Anthropocene, Nature and Interspecies and looking at new conjunctions across these concepts.

More information on Zooetics.

More about the exhibition at Bunkier Sztuki and the Baltic Triennal.

The mycomorph lab and the current installation are realised in collaboration with Paulius Vaitiekūnas, Andrius Pūkis, Jautra Bernotaitė. Sound recording and mastering: Antanas Dombrovskis.

Project partner: Baltic Champs.

Thanks to Marijus Bakas, Dionizas Bajarūnas, Dalius Keršys, Paulius Pilipavičius, Gediminas Stoškus.