Gary Zhexi Zhang is an artist and writer interested in socio-technical objects. His current work explores decentralised organisations such as swarms, mycelia and markets within the context of aesthetics, cryptography and work. He works with film, installation and software. 

Recent projects and exhibitions include Cross-feed at Glasgow International 2018, (online), Vorephilia: The Opera at the Cambridge Junction, ALL CHANNELS OPEN at Wysing Arts Centre, Cambridgeshire (2017) and Hereafter at The White Building, London (2017). He has recently held residencies at PRAKSIS, Oslo; SPACE Art & Technology, London; BALTIC, Gateshead; CCA, Glasgow and Wysing Arts Centre, Bourn. As a writer, Zhang has published essays and criticism magazines including Frieze, Elephant, FOAM, Fireflies, and King’s Review.