Desire for cinema existed before its creation. Today, cinema is an umbrella term for a variety of moving images and time-based forms, which have intersecting, yet particular, histories of emergence. These histories and contexts include changing technological and spatial forms themselves—from collective halls to handheld devices—in which cinema appears, as well as the movement and interpretation of cinemas throughout the world.
This season’s speakers are filmmakers, artists, and thinkers who explore and engage with cinema in a variety of formats, genres, and contexts. Their work often raises provocative questions regarding aesthetic, cultural, national, and economic borders. The discussions in this series explore a variety of cinematic spheres—essayistic, documentary, experimental, independent, activist, and commercial—designations that are experiencing redefinition and permutation. Cinematic Migrations is a multi-faceted look at the role of cinema’s transmutations over time and its worldwide and circuitous shifts.
Note about Cinematic Migrations
Cinematic Migrations is a two-year collaborative research and production project initiated by Renée Green (Free Agent Media) and is co-hosted by the MIT Visiting Artists Program and ACT. The work of filmmaker John Akomfrah and producer Lina Gopaul (Smoking Dogs Films, and founding members of the seminal UK-based Black Audio Film Collective) is a focal point in our investigation of the theme.
Funded in part by the Council for the Arts at MIT