BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Art, Culture, and Technology (ACT) - ECPv5.16.4//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Art, Culture, and Technology (ACT)
X-ORIGINAL-URL:https://act.mit.edu
X-WR-CALDESC:Events for Art, Culture, and Technology (ACT)
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20140309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20141102T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140306
DTEND;VALUE=DATE:20140308
DTSTAMP:20260315T172320
CREATED:20210409T201333Z
LAST-MODIFIED:20210409T201333Z
UID:2587-1394064000-1394236799@act.mit.edu
SUMMARY:Cinematic Migrations Symposium
DESCRIPTION:Cinematic Migrations\, as a conjoined designation\, poses the notion of “migrations” in relation to “the cinematic” in an intentionally porous juxtaposition\, conceived to allow a wide range of questions\, interpretations and permutations to emerge. During this initial phase\, the work of John Akomfrah\, currently with Smoking Dogs Films and previously with Black Audio Film Collective\, provides a focal point for examination\, in conjunction with presentations of filmmakers\, artists\, and scholars participating in the related lecture series. \nThe Cinematic Migrations Symposium developed as a culmination of the first two years of investigations\, in which invited guests will discuss facets of what the Cinematic Migrations framework suggests in relation to their work as artists\, filmmakers\, producers\, and scholars\, as well as in relation to the work of John Akomfrah. \nThe symposium is free and open to the public. \n  \nSymposium Schedule: \nThursday\, March 6th 2014 \n2 pm: Registration \n3 pm\nRenée Green\nWelcoming Remarks: Come Closer \n3:45 pm\nManthia Diawara \n5:30 – 7 pm: Reception in Atrium\nRefreshments and Light Fare \n  \nFriday\, March 7th 2014 \n9 am: Coffee and Light Fare \n10 am\nLaura Marks\nRespondent: Gloria Sutton \n11:30 am\nArthur Jafa \n1 pm: Lunch Break \n2 pm\nFred Moten \n3 – 5 pm\nRoundtable: John Akomfrah\, Lina Gopaul\, Renée Green\nScreening: The Memory Album \nOn March 3\, as part of the Monday night lecture series\, ACT will be screening Transfigured Night\, Akomfrah’s 2013 two-screen installation\, a work reflecting on postcolonial histories stemming from Akomfrah’s reinterpretation of Richard Dehmel’s poem “Verkärte Nacht”. Additional films will be screened at the Harvard Film Archive March 7 through 10. \nCinematic Migrations\, as an ongoing research project\, seminar\, and lecture series continues to generate a multi-faceted look at the role of cinema’s transmutations over time\, stemming from its fractured ontology and its worldwide and circuitous shifts\, which include the integrations of its form into online video\, film\, and television diffusion\, spatial installations\, performance and dance\, as well as its appearance in many formats and portable devices. \nMore information about the symposium\, screenings\, and lectures is forthcoming. For an overview of the Cinematic Migrations project\, including past lectures\, click here. \n  \nSpeakers: \n\nRenée Green\, Artist\, filmmaker\, writer\, ACT Professor and Director\nJohn Akomfrah\, OBE\, filmmaker\, and Lina Gopaul\, producer\, Smoking Dogs Films\, UK\nArthur Jafa\, Cinematographer and producer\nManthia Diawara\, Professor of Comparative Literature\, New York University\nLaura Marks\, Dena Wosk University Professor\, Simon Fraser University\nFred Moten\, Philosopher\, Poet\, Professor of English\, University of California\, Riverside\nGloria Sutton\, Assistant Professor of Art History\, Northeastern University\n\n  \nPresented in collaboration with the MIT Center for Art\, Science\, and Technology (CAST).
URL:https://act.mit.edu/event/cinematic-migrations-symposium/
CATEGORIES:Events & Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://act.mit.edu/wp-content/uploads/2021/04/cm-symp1.jpg
END:VEVENT
END:VCALENDAR