Nomeda & Gediminas Urbonas. Disaster Fountain.
Installation, activation performance
Trenčín, European Capital of Culture 2026, Slovakia
August 19 – November 30, 2026

Disaster Fountain, an operative public artwork by Nomeda and Gediminas Urbonas, transforms firefighting equipment into a heat-responsive urban fountain. Created in collaboration with local volunteer firefighters, the work is activated when temperatures rise above 90°F, responding to urban heat while drawing attention to water scarcity in the nearby river. It is on view from August 19 through November 30, 2026, in Trenčín, Slovakia.

Above images: Nomeda & Gediminas Urbonas. Disaster Fountain. Installation, activation performance. Trenčín, 2026. Photo: Martina Mlčúchová. © The authors.

As part of curator Lýdia Pribišová’s Aqua Vitae curatorial programme for Trenčín, European Capital of Culture 2026, artists Nomeda and Gediminas Urbonas created Disaster Fountain, a participatory installation that transforms firefighting equipment into a climate responsive fountain engaging with the two fundamental elements of water and fire.

The project responds to increasingly frequent periods of extreme heat and approaches water as an active medium of care for the city. It mobilises water as a shared resource that connects public infrastructure, landscape and community while highlighting its significance in the context of climate change.

Above images: Nomeda & Gediminas Urbonas. Disaster Fountain. Installation, activation performance. Trenčín, 2026. Photo: Martina Mlčúchová. © The authors.

The work was developed in collaboration with the volunteer firefighters of Opatovce, whose equipment, technical know-how and working practices became an integral part of the project. Fire hoses, nozzles, fire resistant textiles and structural elements are transformed into a hydraulic environment designed to cool public space while creating a shared participatory experience.

The installation consists of six sculptural objects connected by fire hoses. In their inactive state they function as autonomous sculptures in the public space, but only when connected to firehoses circulating water they transform into a living system. Flowing water sets the fountain in motion, generating acoustic resonances, cooling mist and ever-changing fluid formations. Human and more-than human visitors can cool off or engage directly with the flowing water, becoming active participants in a unique performance where art, technology and public interaction converge.

Above images: Nomeda & Gediminas Urbonas. Disaster Fountain. Installation, activation performance. Trenčín, 2026. Photo: Martina Mlčúchová. © The authors.

The project also brought together two MIT alumni as collaborators: Dimitrios Moutafidis (SMArchS ’25), who contributed to the visual development of the project through architectural visualizations and computer-generated imagery, and Eliot Z. Felde (SMACT ’26), who joined the project through the MISTI Lithuania program and conducted design experiments using recycled fire hoses and fire-resistant textiles. Their contributions extended the collaborative process across design, digital imaging and hands-on material research.

The sculptural forms draw inspiration from the mysterious fifteenth century Voynich Manuscript. Its enigmatic illustrations of plants, hydraulic systems, baths and unknown rituals have resisted interpretation for centuries. The artists translate this imagery into a contemporary participatory environment in which water becomes a medium of movement, energy and collective encounter.

The presence of fire remains latent throughout the work, embodied in the knowledge and technologies of the firefighters who contributed to its development. Their expertise in pressure systems, hydraulics and safety protocols grounds the poetic transformation of infrastructure in practical experience, creating a subtle dialogue between water and fire, control and spontaneity, protection and play.

More information:
Trenčín 2026
Urbonas Studio