One of America’s most elusive artists: Joan Jonas
Joan Jonas: Good Night Good Morning
March 17 – July 6, 2024
Floor Six, The Steven and Alexandra Cohen Center for Special Exhibitions
The Museum of Modern Art (MoMA)
New York, NY
ACT Professor Emerita Joan Jonas’ maximalist, category-defying work combines video, performance, folklore, sculpture, and ecology. In a New York Times Magazine profile, Jonas says she has no intention of simplifying anything.
This exhibition at the MoMA is the most comprehensive Joan Jonas retrospective in the US to date. Joan Jonas: Good Night Good Morning explores the artist’s influential career — spanning over 50 years — including performances, videos, large-scale multimedia installations, drawings, photographs, and archival material.
“I didn’t see a major difference between a poem, a sculpture, a film, or a dance,” Joan Jonas has said. For more than five decades, Jonas’s multidisciplinary work has bridged and redefined boundaries between performance, video, drawing, sculpture, and installation. The most comprehensive retrospective of the artist’s work in the United States, Joan Jonas: Good Night Good Morning traces the full breadth of her career, from works that explore the encounter between performance and technology to recent installations about ecology and the landscape.
Jonas began her decades-long career in New York’s vibrant Downtown art scene of the 1960s and ’70s, where she was one of the first artists to work in performance and video. Drawing influence from literature, Noh and Kabuki theater, and art history, her early experimental works probed how a given element—be it distance, mirrors, the camera, or even wind—could transform one’s perception.
Joan Jonas: Good Night Good Morning presents drawings, photographs, notebooks, oral histories, film screenings, performances, and a selection of the artist’s installations. Jonas continues to produce her most urgent work through immersive multimedia installations that address climate change and kinship between species. “Despite my interest in history,” she has said, “my work always takes place in the present.”
Organized by Ana Janevski, Curator, with Lilia Rocio Taboada and Gee Wesley, Curatorial Assistants, Department of Media and Performance, The Museum of Modern Art. With thanks to Mitchell Herrmann, Mellon-Marron Research Consortium Fellow, and Molly Superfine, Brandon Eng, and Piper Marshall, former Mellon-Marron Research Consortium Fellows, Department of Media and Performance, The Museum of Modern Art.