Imagine becoming another version of yourself. What would you change? What might you reveal?

A series of exhibitions at the Isabella Stewart Gardner Museum examines how photography has served across time as a tool for self-expression and reinvention, enabling artists to question and challenge notions of personal identity. Persona: Photography and the Re-Imagined Self (February 19 – May 10, 2026) explores how both historic and contemporary artists have used the medium to construct and project a persona: an alter ego distinct from the self they present publicly.

ACT Director and Professor Azra Akšamija is one of the 30 artists whose work is presented in this exhibition. Her provocative piece, Hallucinating Traditions (2024), probes the intersection of artificial intelligence, fashion, and cultural identity through animated portraits of Akšamija adorned in speculative headpieces. Drawing from a broad dataset of Akšamija’s likeness alongside historical costume references, advanced AI was trained to generate morphing images that fuse visual elements from multiple cultures and time periods.

As the portraits fluidly transform, they unsettle fixed ideas of tradition and identity. The AI-generated designs imagine a future in which technology actively shapes personal adornment and cultural expression. At once speculative and reflective, the project meditates on how emerging technologies influence our understanding of self and heritage.

Images: Azra Aksamija, Hallucinating Traditions, 2024.

These evolving portraits function as “cultural prototypes,” prompting viewers to consider how ideals, values, and aesthetics continually shift, thus redefining the relationship between past, present, and future.

Akšamija’s piece is featured in the Immersive Worlds section of the exhibition.

The plaque next to her work reads:

Azra Akšamija
Hallucinating Traditions, 2024
Video animation screened on a holographic fan monitor
Courtesy of the artist

In this animation, artist Azra Akšamija becomes new versions of herself wearing imaginative headgear designs. The portraits were generated using artificial intelligence (AI) that was trained on an extensive database of images, including photographs of the artist’s face and historical and regional attire. The resulting portraits fluidly transform in the animation, blending global fashions and blurring the boundaries between the past and the future. In this world, technology and tradition mix to generate new cultural forms.

Concept and artistic direction: Azra Akšamija
Project research and development: Merve Akdoğan
Production: Merve Akdoğan, Azra Akšamija, Shua Cho

Images: Azra Aksamija, Hallucinating Traditions, 2024.

Since the 1920s, artists have turned to photography to invent and inhabit identities distinct from their public selves. Bringing together historical and contemporary works from around the world, Persona features artists who engage characters, icons, and avatars: constructed personas that both conceal and illuminate.

Using tools as time-honored as face paint and as advanced as artificial intelligence, these artists craft alter egos shaped by aspiration, social identity, cultural norms, and stereotype. Some draw on ritual; others resist tradition. All blur the boundaries between fiction and reality, unsettling assumptions and challenging expectation. In transforming themselves, they ask us to reconsider how identity is formed, and how society sees.

Playful, political, and provocative, the more than 80 works in Persona time-travel and gender-bend, mythologize and mask, mirror and magnify. Together, they invite empathy and creative possibility.

Who might you become?

Persona: Photography and the Re-Imagined Self
February 19 – May 10, 2026
Isabella Stewart Gardner Museum
Hostetter Gallery