Cameron Rowland | Encumbrance
November 8
Saturday, October 23
Public Program Artist Talk
In collaboration with the List Visual Arts Center
Leslie Thornton’s Begin Again, Again is on view from October 22, 2021 – February 13, 2022.
Leslie Thornton has produced an influential body of work in film and video. Her early encounters with experimental, structuralist, and cinéma vérité traditions as a student in the 1970s fueled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. Attend this talk as Thornton will discuss her work in Begin Again, Again, her artistic research practice and will delve into the significance of her subjects. The talk will conclude in a facilitated Q & A session with exhibition curator, Natalie Bell, and respondent Judith Barry.
Visit Protocols
To enter MIT buildings, all adults will need a Tim Ticket for contact tracing purposes. A link to the Tim Ticket registration page will be shared with you at least 24 hours before the start of the event. You must register through the portal in order to gain access to our building entry points. We understand these protocols can be ever-changing and tricky to navigate. We want your visit to the List Center to be as smooth as possible so please don’t hesitate to reach out with any questions via email to listinfo@mit.edu.
We will continue to follow MIT’s covid protocols. Masks will be required inside the building and social distancing will be encouraged for all programs. Please learn more about MIT’s policies at: now.mit.edu/policies and learn more about the List Center’s updated safety precautions at:https://listart.mit.edu/gallery-visit-details
This event is co-hosted with the List Visual Arts Center and will be recorded and will be real-time translated for personal device.
About Leslie Thornton and the exhibition
In a career spanning nearly five decades, Leslie Thornton has produced an influential body of work in film and video. Her early encounters with experimental, structuralist, and cinéma vérité traditions as a student in the 1970s fueled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. In part through her forceful and dynamic use of sound, Thornton exposes the limits of language and vision in her works, while acknowledging the ways that language and vision nevertheless remain central to scientific discourse and narrative in general. Engaging these themes within a focused survey, Thornton’s List Center exhibition will mark the artist’s first US solo museum exhibition and most comprehensive presentation to date.
The relationship between technology, power, and violence is an enduring concern for Thornton. In early works, such as X-TRACTS (1975), All Right You Guys (1976) and Jennifer, Where Are You? (1981), Thornton contends with the basic conditions of representation in film and how the camera itself wields power. In Let Me Count the Ways (2004–ongoing) and Cut From Liquid to Snake (2018), Thornton takes up the United States’ history of nuclear warfare—a subject fraught with personal resonance for her, as both her father and grandfather were involved in the Manhattan Project, the top-secret effort that produced the atomic bombs that the U.S. dropped on Japan in the final days of World War II. A touchstone of experimental film, Peggy and Fred in Hell is a multi-chapter work that surfaces the Cold War-era anxieties that shaped Thornton’s formative years and plumbs the psychological impact of technology in postwar America.
Thornton’s recent film Ground (2020) embeds the voice of a physicist discussing particle decay within elegant yet foreboding technological landscapes. The exhibition’s title, Begin Again, Again—borrowed from a line in Peggy and Fred in Hell—alludes to human-made cycles of destruction and renewal as well the hallmarks of Thornton’s practice: an accumulation and repetition of images and language and a radically open-ended approach to observing, processing, and understanding.
Thornton’s exhibition is organized by Natalie Bell, Curator, MIT List Visual Arts Center.
In conjunction with the exhibition, the List Center is co-publishing the artist’s first monograph with Sternberg Press. Scheduled for release in Spring 2022, the book will feature contributions by Bell, Erika Balsom, Rosalyn Deutsche, Su Friedrich, Chrissie Iles, Shanay Jhaveri, Dan Kidner, Chris Kraus, Mason Leaver-Yap, James Richards, Milan Ther, and Thomas Zummer.
Leslie Thornton (b. 1951, Knoxville, TN) lives and works in New York. Her work has been exhibited and widely screened internationally at: documenta 12, Kassel; The Whitney Museum of American Art, MoMA PS1, and Artists Space in New York; Tate Modern and Raven Row in London; the Walker Art Center, Minneapolis; Centre d’Art Contemporain Genève; and at the Rotterdam, Berlin, Buenos Aires, and New York Film Festivals, among many others. Recent solo and two-person exhibitions have taken place at Kunstverein Nürnberg (2020); Malmö Konsthall (2019); Secession, Vienna (2018); Künstlerhaus Stuttgart (2018); as well as Brooklyn Academy of Music (2016). Thornton is the recipient of two Rockefeller Fellowships, a Guggenheim Fellowship, the Maya Deren Award for Lifetime Achievement, and the first Alpert Award in the Arts.
